Time taken: 10mins
Products used: All MAC
- Ebony lip liner
- Currant lip liner
- Pro lipmix Magenta & Red
- Clear lipglass
- Lip brush #231
Products used: all MAC
- Smolder pencil - sketched through crease
- Carbon eyeshadow - with brush #266 over Smolder
- kid eyeshadow - to blend out the black through the socket line
- Paradisco - pressed onto eyelid
- Blacktrack fluidline - used with the 263# brush along the top lashline and in the inner and outer bottom lashline
- Liquidlast liner- Point black, to help it last and the black look darker
- To the future - Pro longwear lipstick
I found these behind the scenes photos of makeup I did for a cosmetic company a few years ago. Hair by my good friend Natalie Mitchell who's touring doing wig dressing for the theater production Oliver. I used all MAC products.
I painted a Harry Potter painting for my sister in law's Christmas present. I used Acrylic paint on 24'' x 30'' canvas. In this post I've included photos from a few of the stages.
Here are a few photo’s from a shoot I did the makeup for designer ooh la latex, photographer Julian M Kilsby, model is the lovely Jodi Lakin.
The outfits designed specifically for the shoot.
Here are some backstage photo's of my makeup from the Royston and Blythe fashion show. The Key makeup artist who designed the looks was the lovely Danni Smith, it was great to be part of her team; thought her looks were beautiful.
I had a great day teaching at Swindon college. The day was focused on fashion make-up. Starting by discussing my background in Fine art and a powerpoint presentation of my portfolio going through what I did to create each look.
I gave a demo then held a workshop so they could do make-up on each other.
For their main makeup workshop I wanted them to get an idea of what you do as the key make-up artist on a catwalk show; for this the key make-up artist works with the designer and key hair stylist to take inspiration from the collection. I acted as the fashion designer explaining my inspiration, which was the painter Paul Gauguin.
If you crave avant garde theatrical flights of fantasy, when it comes to this in terms of fashion weeks the country that stands out to me would have to be China.
The Chinese spring / summer 2012 shows did not hold back on make-up and flamboyant costume. The MGPIN make-up and styling show took place in Beijing; most of the images on this post are from those shows. The usual less is more mantra that usually applies to catwalk make-up certainly does not apply, hold on to your brushes make-up lovers.
I've been drawn into watching hit TV programme Mad Men. Love the 1960's style of fashion and make up.
The 60's was a very exciting era in fashion trends, the early 60's was still very much influenced by 50's ideas for women being there to please men, always being refined and polished, having their hair set in rollers, their fashion hugging all the right curves, keeping to the hour glass silhouette. Also in the 60s there was a great empowerment of women, with many women fighting to be part of wildly male dominated work environments such as the advertising industry, which is explored in Mad Men.
In that time period, it was all about glamour, style and fashion for women. It's so different from our modern day aesthetic which skews more natural. Back then, it was all about major lashes, and dramatic red lips. We do tons of research on the the makeup for that era. We comb old VOGUEs, other vintage magazines and 1960s advertisements to find looks that are authentic. - Lana Horochowski, Head makeup artist.
I'm going to focus on the two maid sirens of the series. Joan P. Harris played by actress Christina Hendricks and Betty Draper played by January Jones.
Joan P. Harris Jessica rabbit figure and fiery red hair made her into an iconic character. She sizzles through the office with confidence and a power over the men, knowing exactly how to play them at their game.
My interpretation of her makeup was a thin liquid liner across the top lash line, a bit of shading through the socket line of the eye using a mid tone Matt eye shadow such as MAC Kid. Mascara only on the top lashes. A Matt foundation. More of a brick lipstick to complement her hair color, such as MAC Brick lip liner and Russian red, or a dusty rose lipstick to suit the clothes.
For this french twist hairstyle you want a lot of volume from the roots. Start by putting your hair into large heated rollers, then lightly backcomb all over.
Gently smooth out the top of the hair without brushing out the backcombing.
Brush your hair all the way to one side. Using as many pins as needed, pin your hair straight up the back of your head.
With the rest of your loose hair. Put your thumb in the center and twist the hair around your thumb. Pin the twist. Then finish by spraying your hair into place.
Betty Draper, Don Draper's wife. She's a blond bomb shell in looks but not in personality. Living her life as house wife in suburbia, her underlying unhappiness, lack of trust and unfaithfulness in her relationship with Don tears her apart, but she sure looks good doing it.
Her make up was generally natural eyes again with the emphasis on the top lash line, and a statement red lip; for this look in the first series of Mad Men they used coral tone matt lipstick like MAC Lady danger with red lipliner. But then softened the lip shade and hair as it reflected the change in fashion through the 60's.
For Betty's hair I would start by using heated hair rollers, then brush out your hair so the curls become waves.
For added volume, section off the top half of your hair then backcomb underneath.
If you have long hair, put it into a very low, loose ponytail and fold under; pin that into place so it looks like you've got short Betty hair.
Lucia Mace, department head hairstylist on Betty's hairstyle in Rome - It took a bit of time. I actually had to put a form inside of her hair just to get it to stand up the right way. And it was definitely all hands on deck for that one. I knew the only way it would work is if I just built it right on January, so she sat in my chair and we just constructed it before she walked on-set.
Lucia Mace was influenced from 1963 Italian Vogue.
Mad Men has had a influence on fashion and makeup
Lana Horochowski & Debbie Zoller , Head makeup artists
Lucia Mace, department head hairstylist
Anthony Wilson, key hairstylist
Mary Guerrero, additional hairstylist
Peggy Semtob, additional hairstylist
Ath-elite is the skin led trend of this season with plump, ultra hydrated healthy skin. Using glossy highlights not shimmer. To achieve this look on the skin you will have to invest time massaging in layers of moisturiser, minimal foundation and concealing only where needed.
Some of the key MAC Products used backstage -
- Prep + Prime Skin Compact
- Chromographic Pencil in NC15 – NW25
- Mixing Medium Shine
- Mineralize Charged Gel Emulsion
- Care Blends Essential Oils
- Studio Sculpt SPF15 Foundation
- Mineralize Skinfinish Natural
- Fusion Gold Metal-X Cream Eye Shadow
- Palladium Metal-X Cream Eye Shadow
- Boldly Bare Lip Pencil
- Fling Eye Brows
- Mink Eye Brows
- Beguile Brow Set
- Clear Brow Set
- Mid-tone Sepia Cream Colour Base
- MAC PRO Bone Beige Sculpting Powder
- Luna Cream Colour Base
- Pearl Cream Colour Base
- MAC PRO Gloss Texture Story
- Boot Black Liquid Liner
- Blacktrack Fluidline
- Smolder Eye Kohl
- Fix+ Spray
- Lip Conditioner SPF 15
- Clear Lipglass
- Dim Lip Erase
- Hush, Hush Tendertone Lip Balm SPF 12T
Marios Schwab was one of my favourite looks that fell into the Ath-elite trend here's how to recreate it:
- Studio Moisture Tint SPF 15 – blended over skin to hydrate and provide a light natural finish to skin.
- Shell Cream Colour Base – blended over the high planes to highlight.
- Prep + Prime Transparent Finishing Powder – dusted over the center of the face for a light.
- Clear Brow Set — applied through the brow for a light groom.
- Smolder Eye Kohl — blended through both upper and lower lashes with 212 Flat Definer Brush.
- Boot Black Liquid Liner — drawn through the upper and lower lashline to define and elongate eyes.
- MAC Pro NW25/NC30 Chromagraphic Pencil — applied through the waterline of lower lashes to open eyes.
- Studio Moisture Tint SPF 15 — blended over lips for a customized nude pout.